视频简介
80年代，健民制药厂厂长魏健民，在“利民霉素”投产与“三废”的处理之间顾此失彼，因而妨碍了郊区的农业生产，干扰了植物研究所的科研工作，影响了附近居民的身体健康。某报社记者高立言赞扬“利民霉素”的报道刚发表，就收到许多群众来信。高立言再次深入调查，又发表了批评药厂的文章。于是，围绕着药厂产生了一系列矛盾冲突。最后，魏厂长认识到“三废”的危害，决心治理，在搞生产的同时，积极注意做好环境保护工作。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
